Selected Catalogues

  1. Pooke, Grant, Contemporary British Art: An Introduction (Routledge, Oxon, UK and New York 2011)
  2. Paneque, Guillermo (ed.), Entre chien et loup (Iberdrola, Spain 2011); texts by Guillermo Paneque, Javier Montes, Gérard Wajcman and Xabier Sáenz de Gorbea
  3. Contemporary Artists Files 1980 – 2010 (Kentaro Oshita, 2010)
  4. Bankowsky, Jack, Alison M Gingeras and Catherine Wood (eds.), Pop Life (Tate Publishing, London 2009
  5. Holzwarth, Hans Werner (ed.), 100 Contemporary Artists (Taschen, Cologne 2009)
  6. Weinhart, Martina & Hollein, Max (Ed.) The Making of Art (Schirn Kunsthalle Frankfurt 2009)
  7. Muir, Gregor, Lucky Kunst: The Rise and Fall of Young British Art (Aurum Press Ltd, London 2009)
  8. Cashel, Kieran, Aftershock: The Ethics of Contemporary Transgressive Art (I.B. Tauris, London 2009)
  9. Guglielmino, Giorgio, How to Look at Contemporary Art…and like it, (Umberto Allemandi & Co Publishing, London 2008)
  10. Bernadelli, Francesco, Arte Contemporanea, Volume Cinque. Anni Novanta (La Biblioteca di Repubblica-l’Espresso/Electa, Milan 2008)
  11. Townsend, Chris, Art & Death (I.B. Tauris, London 2008)
  12. Werner Holzwarth, Hans, Art Now Vol 3: A Cutting-edge Guide of Today’s most Exciting Artists (Taschen 2008)
  13. The Encyclopedia of Modern & Contemporary Art (Bijutsu Shuppan Sha, 2008)
  14. Grosenick, Uta (Ed.) Art Now Vol 2: The New Directory to 81 International Contemporary Artists (Taschen, Koln 2008)
  15. Gustavs, Jorinde, Original: Bilder aus Leben und Kunst (weiw-Verlag, Stralsund, Germany 2007)
  16. The Youth of Today (Walther König, Cologne 2007); texts by Hollein, Max, Jens Hoffmann, George Seeßlen, Niels Werber, Mercedes Bunz and Matthias Ulrich
  17. Fortnum, Rebecca, Contemporary British Women Artists in their own words (I.B. Tauris, London and New York 2007)
  18. All Tomorrow’s Pictures (Institute of Contemporary Art, London 2007)
  19. Wallworks: Contemporary Artists and Place (Art Gallery of Ontario, 2007)
  20. Humaniora I Nasjonen I Hmaniora: Det Historik-filosofiske fakultets bidrag til hundrearsmarkeringen Norge 1905-2005 (Universitetet I Bergen, 2007)
  21. Quincoces, Fernando, Para Todos Los Publicos (Sala Rekalde, Bilbao 2006)
  22. Wiseman, Caroline, Modern Art Now: From Conception to Consumption (Strawberry Art Press, Ipswich 2006)
  23. Aftershock: Contemporary British Art 1990 – 2006 (The British Council, London 2006); texts by Michael Bracewell, Pi Li and Emily Butler)
  24. Doyle, Jennifer, Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, Minneapolis 2006)
  25. Nairne, Sandy and Sarah Howgate, The Portrait Now (National Portrait Gallery, London 2006)
  26. Freeman, Julian, British Art: A Walk Round the Rusty Pier (Southbank Publishing, London 2006) Belliti, Chiara (ed.), Eretica (Skira, Palermo 2006)
  27. McGregor, Sheila, New Art on View (Scala Publishers, London 2006)
  28. Mandelinck, Gwy, Joost Declercq and Koen Van Synghel, Extiem (Poëziezomers-Kunstzomers, Watou, Belgium 2006)
  29. You’ll Never Know (Hayward Gallery, London 2006); texts by Roger Malbert, Susan May, Jeni Walwin, Henry Krokatsis, James Flint, Janna Levin and Sally O’ Reilly
  30. Krause-Wahl, Antje, Konstruktionen von Identität: Renée Green, Tracey Emin, Rirkrit Tiravanija (Verlag Silke Schreiber, Munich 2006)
  31. Mé Tissages (Museum voor Industriële Archeologie en Textiel, Ghent, Belgium, 2005); texts by René De Herdt, Isabelle De Baets, Stef Van Bellingen and Everlyn Nicodemus
  32. Grosenick, Uta (ed.), Art Now (Taschen, Cologne 2005)
  33. Gade, Rune, Kønnet, Kroppen, Kunsten (Informations Forlag, Copenhagen 2005)
  34. Doy, Gen, Picturing the Self: Changing Views of the Subject in Visual Culture (I.B. Tauris & Co Ltd, London and New York, 2005)
  35. Müller, Hans-Joachim, La Alegria De Mis Suenos, (Fundación BIACS, Seville 2004)
  36. Deitch, Jeffrey (ed.), Monument to Now (DESTE Foundation for Contemporary Art, London 2004)
  37. Bouwhuis, Jelle, Stedelijk Museum, Amsterdam 2003/2004 (Stedelijk Museum, Amsterdam 2004)
  38. Riley, Richard and Patrick Elliott, Desde El Reino Unido: David Hockney. Tracey Emin. Museo Nacional De Bellas Artes 17 Nov Al 06 Mar 2005 (The British Council, Chile 2004)
  39. The Joy Of My Dreams (International Biennial of Contemporary Art, Seville 2004); texts by Sánchez Monteseirín, Alfredo, Fernando Franco, Juana de Aizpuru, Harald Szeemann and Hans-Joachim Müller
  40. Art & Australia: 2004 Biennale of Sydney (Art & Australia Pty Ltd, Paddington, Australia 2004)
  41. van Tuyl, Gijs and Carl H. Hahn, The Open Museum: The First Ten Years (Kunstmuseum Wolfsburg, Germany 2004)
  42. Foster, Alicia, Tate Women Artists (Tate Publishing, London 2004)
  43. West, Shearer, Portraiture (Oxford University Press, 2004)
  44. Zyman, Daniela, ein-leuchten (Museum der Modern Salzburg, Vienna 2004)
  45. Windsor, Alan, British Sculptors of the Twentieth Century (Ashgate Publishing Limited, London and Burlington, Vermont 2003)
  46. The Believer (McSweeney’s Publishing, San Francisco 2003)
  47. De Cruz, Gemma, British Artists at Work (Assouline, London 2003)
  48. Elliot, David and Pier Luigi Tazzi, Happiness (Tankosha Publishing Co. Ltd, Tokyo 2003)
  49. Hwa Joo, Yeon, British Contemporary 28 October-31 January 2004 (Arario Gallery, Cheonan 2003)
  50. Martinez, Rosa, Europe Exists (Macedonian Museum of Contemporary Art, Thessaloniki 2003)
  51. Ottoman, Klaus and Pamela Auchincloss, Social Strategies; Redefining Social Realism (Pamela Auchincloss Arts Management, New York 2003)
  52. Bildstörung (Gesellschaft der Freunde junger Kunst, Baden-Baden, Germany 2003)
  53. Tunnicliffe, Wayne, Tracey Emin: Moving On (Art Gallery New South Wales, Sydney 2003)
  54. Douglas, Caroline, Micro/Macro; British Art 1996-2002 (Mũcsarnok, Budapest 2003)
  55. 100: The Work that changed British Art (The Saatchi Gallery, London 2003)
  56. Rosenblum, Robert and Katherina McArthur, The Beach (Windsor, Florida 2002) Die Wohltat der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz (Staatliche Kunsthalle, Baden-Baden, Germany 2002)
  57. Knöfel, Ulrike, Public Affairs: Von Beuys bis Zittel: Das Offentliche in der Kunst (Kunsthaus Zurich, 2002)
  58. Eliasson, Olafur, Freestyle: Werke Aus der Sammlung Boros (Verlag Der Buchhandlung Walther König, Cologne 2001)
  59. Muir, Gregor, Gavin Eddy and Sam Cowan, Group Exhibition (UBS Warburg, London 2001)
  60. Riemschneider, Burkhard and Uta Grosenick (eds.), Art Now (Taschen, Cologne 2001)
  61. Writers on Artists (DK Publishing, New York 2001)
  62. Mey, Kerstin (Ed.) Sculpsit: Contemporary Artists on Sculptures and Beyond (Manchester University Press, Manchester 2001)
  63. Grosnick, Uta (ed.), Women Artists in the 20th and 21st Century (Taschen, Cologne 2001)
  64. Kent, Sarah, YBA Woman (Thames & Hudson, London 2001)
  65. Century City: Art and Culture in the Modern Metropolis (Tate Gallery publishing, London 2001)
  66. Multiplication (The  British Council, London 2001)
  67. Carson, Fiona and Claire Pajaczkowska (eds.), Feminist Visual Culture (Edinburgh University Press, 2000)
  68. Huxley, Paul, The TI Group Art Collection: Painting Graduates of the Royal College of Art 1975-2000 (TI Group plc, Oxford 2000)
  69. Guglielmino, Giorgio, Come Guardare L’arte Contemporanea: e vivere felici (Umberto Allemandi, Torino, 2000)
  70. Cooper, Jeremy, no FuN without U, the art of Factual Nonsense (Ellipsis, London 2000)
  71. Ayerza, Josefina, 15 (Lacanian Ink, New York 1999)
  72. Button, Virginia, The Turner Prize, (Tate Publishing, London 1999 [1997])
  73. Collings, Matthew, This is Modern Art (Weidenfeld & Nicolson, London 1999)
  74. Hall, James, The World as Sculpture (Chatto & Windus, London 1999)
  75. Resende, Ricardo, Imagen em Movimento: Moving Image (Chiva [S]ynergies Art, São Paulo 1999)
  76. Stallabrass, Julian, High Art Lite (Verso, London 1999)
  77. Muller, Brian, UK Maximum Diversity (Galerie Krinzinger, Vienna 1998)
  78. Whittington, Richard and John McEwen, Colony Room Club: Members Only (London, 1998)
  79. Hegewisch, Katharina, Der Mensch Liche Fak Tor (Hypobank International S.A., Luxembourg 1997)
  80. Sensation: Young British Artists from The Saatchi Collection (Royal Academy of Arts, London 1997); texts by Brooks Adams, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone
  81. Buck, Louisa, Moving Targets: A User’s Guide to British Art Now (Tate Publishing, London 1997)
  82. Collings, Matthew, Blimey! From Bohemia to Britpop: London Art World from Francis Bacon to Damien Hirst (21 Publishing Ltd, Cambridge 1997)
  83. Meyric Hughes, Henry and Katerina Gregos, Private Face-Urban Space (Gasworks, Athens 1997)
  84. Monk, Philip, Hypermnesiac Fabulations (The Power Plant, Toronto 1997)
  85. Poetter, Jochen and Margrit Brehm, Urban Legends (Staatliche Kunsthalle, Baden-Baden, Germany 1997)
  86. Evans, Stuart and Richard Shone, Made in London (Simmons and Simmons, London 1996)
  87. Worsdale, Godfrey, Co-Operators (Southampton City Art Gallery, UK 1996)
  88. Full House: Young British Art (Kunstmuseum Wolfsburg, Germany 1996)
  89. Mysterium Alltag: Kunt aus London in Hamburg (ZwishenWelton, Hamburg 1995)


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